Abstract
This project intends to analyze how the musical performances of Grupo de Choro, Seresta e Serenata from the city of São Roque (SP) contribute to the formation of a sense of social belonging among its participants and to the production of locality. In order to do so, I mobilize the concepts of musicking, from Small (1998); locality, from Appadurai (1996); and also Turino's (2008) discussio…