CV Lattes
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Universidade Estadual de Campinas (UNICAMP). Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Ph.D. student at Multimeios Graduate Program at the Institute of Arts at Universidade Estadual de Campinas (UNICAMP), with a FAPESP scholarship. Participates in the study groups: "Trajectories without Borders: Contemporary Refugee Cinemas" (UNICAMP) and "PRALA - Platform for Reflection on Latin American Audiovisual" (UFF).Master's degree in Multimeios - UNICAMP (CAPES scholarship). With experience in the Teaching Internship Program-PED (2019, 2021, 2022). Graduated with a Bachelor's degree in Cinema and Audiovisual from the Federal Fluminense University - UFF (FAPERJ Scientific Initiation Scholarship recipient)Completed academic mobility at the National University of Córdoba - UNC, in Argentina, in the first semester of 2017, where she conducted studies in the fields of Cinema and Video and Anthropology.In cinema, she has a keen interest in the Documentary field, integrating it with studies related to gender, space, and archives. Her areas of focus include Documentary, Latin America, Memory, and Space.In addition to her work in art direction, documentary direction, and curation (Source: Lattes Curriculum)
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The known "documentary of me" (MONTEIRO, 2015) are movies organized by a first-person narrative where a discursive I/me builds itself throughout the movie and it's not necessarily coincident with the director. Having the contemporary production of Latin American documentaries as a framework, in this research I pay attention to how these movies use archive material and articulations (prese…
The doctoral research aims to understand how documentaries of the self are constructed in Latin America through their memorialistic relationship with archival materials and spatial articulations. In this proposed research, I start from the documentary construction and narrative selves through space but expand to comprehend how space also serves as "approximation" (BRUZZI, 2022). Thus, I p…
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