Abstract
The aim of this research is to suggest a literary interpretation of the Bataillian informe, taking into account the fragmentation of the body and the body of the text in three key works: Madame Edwarda (1941), by Georges Bataille, Le Ravissement de Lol V. Stein (1964), by Marguerite Duras, and A Obscena Senhora D (1982), by Hilda Hilst. From a close and parallel reading of the works chose…