Pedro Caetano Eboli Nogueira

Pedro Caetano Eboli works as a professor, art critic, and curator. He holds a degree in Industrial Design (UFRJ, 2009-2014) and also received theoretical and practical training at the Escola de Artes Visuais do Parque Lage (2009-2011). His research, focused on the intersections between tactical urbanism and urban interventions, led him to complete a master's degree in Arts and Design (PUC-Rio, 2015-2017). In his doctoral studies (PUC-Rio, 2017-2021), he investigated the relationships between art, politics, and social movements in contemporary Brazil. He worked with the Museu de Arte do Rio on the exhibition "Arte, Democracia e Utopia" (2018), and as an assistant curator and researcher for the exhibitions "Rio dos Navegantes" (2019) and "Imagens que não se conformam" (2021). He was the curator of the exhibitions "Buraco: modos de ocupar o vazio" (2020) and "Elizabeth Franco: paisagens de coisas perdidas" (2023), both held at the Solar Grandjean de Montigny. He worked as a critic and tutor for the Programa de Acompanhamento Crítico at Casa da Escada Colorida (2022), where he curated the exhibitions "Nas Rugas do Tempo" and "Cartografias da Impermanência." He has taught in the postgraduate program in Criticism and Curatorship in Visual Arts at Faculdades Integradas Hélio Alonso and served as a writer for the Enciclopédia Itaú Cultural. He has also taught at the Department of Theory and History of Art at UERJ. He is a member of the Editorial Board of the Concinnitas Journal and a reviewer for journals such as Estado da Arte (MG), Arte e Ensaios (RJ), Ars (SP), ARJ (RN), and Revista Pós (MG), with numerous texts published in art, design, and architecture journals. He worked as an Assistant Curator at Flexa Galeria (RJ) between June and December 2024, where he contributed to the concept of the exhibition "A noite dos clarões: ecos do surrealismo e outras cosmologias." He worked as an assistant curator for the exhibition Constelações em trânsito: uma escuta cartográfica (20252027), a selection from the Andrea and José Olympio Pereira Collection, presented at Galpão da Lapa (São Paulo). He is currently conducting postdoctoral research on the relationships between art, politics, and identities in the cinema of Eduardo Coutinho, at the Institute of Arts of Unicamp, with a FAPESP fellowship. (Source: Lattes Curriculum)