PhD in Philosophy from Unicamp (2022), with a research internship (BEPE-Fapesp) conducted at Freie Universität in Berlin. Holds a bachelor's degree in Music (2007/2011) and Philosophy (2017), as well as a master's degree in Music (2013) from Unicamp. His research focuses primarily on areas such as Critical Theory of society, Aesthetics, and the Philosophy of Music. Since 2017, he has been a member of the editorial board of Dissonância: Revista de Teoria Crítica, a journal affiliated with the Institute of Philosophy and Human Sciences at Unicamp. In 2023, he worked as an assistant professor at the Faculty of Philosophy of the Federal University of Goiás (UFG). He is currently conducting postdoctoral research at the Brazilian Center for Analysis and Planning (Cebrap).ricardo.lira@cebrap.org.br (Source: Lattes Curriculum)
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The present post-doctoral research, linked to the thematic project FAPESP No. 2019-22387/0, "Crises of democracy: critical theory and the diagnosis of present time", aims to investigate the potentials of Adorno's philosophy of music for an updating of the relationship between art and democracy from a critical-theoretical perspective. Our hypothesis is that the centrality given by Adorno t…
This study intends to investigate the category of musical material in Theodor W. Adornos work. Starting from the presupposition of mediation between music and society through the category of musical material, the research proposes the hypothesis that it is possible to observe a significant change in Adorno's late writings in relation to this category, which would reflect the changes in th…
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This proposal is part of my ongoing postdoctoral project, titled "Spontaneity and the Subjectification of Domination: An Actualization of Adorno's Critical Theory of Music". In this project, I explore the complex outcomes of the critical reception of Adorno's aesthetics by the so-called "second generation" of Critical Theory, especially in terms of understanding the relationship between a…
This project aims to investigate and reconstruct the participation of Theodor W. Adorno in the musical debates in postwar Germany, especially his involvement in the courses for new music at Darmstadt. The research is guided by the hypothesis that there are significant conceptual differences in Adorno's musical writings of the 1950s and 1960s that can only be properly understood in the lig…
| 5 / 4 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 1 / 1 | Completed scholarships abroad |
| 7 / 6 | All Scholarships |
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CV Lattes
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