Abstract
Due to post-doctoral scholarship FAPESP, the publication contains research on the cultural clown Abelardo Pinto Piolin and his circus performance in São Paulo, especially its production of Circus Theater in Circus Piolin between the years 1933 and 1961. Its trajectory is followed from his training as a clown, his success in circuses Irmãos Oueirolo and Alcebiades, his influence with the m…