Abstract
This study will focus on three films, Cidadão Boilesen (directed by Chaim Litewski, 2009), Hércules 56 (directed by Sílvio Da-Rin, 2007) e Vlado: 30 anos depois (directed by João Batista de Andrade, 2005), and investigate the different ways these works approached the memory of the military period in Brazil. The various aesthetic elements present in these productions, such as for example…