Abstract
This research aims to comprehend the creative process of the movie "Eles não usam black-tie" (They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play written by Gianfrancesco Guarnieri, using the theoretical referential provided by "Procedural Critics" (as proposed by Cecilia Salles) and the documents related to the film creation, such as Arguments, scrip…