Vinicius Spricigo is a PhD from the University of São Paulo. His research focuses on the study of exhibitions, and he has published extensively on São Paulo Biennial and other periodic large-scale contemporary art exhibitions in Brazilian and international journals, and contributed to book chapters among others Flusseriana: an Intellectual Toolbox. Minneapolis: Univocal, 2015 and the Biennial Reader and German Art in São Paulo, both published by Hatje Cantz. Before his current position as Associate Professor at the Federal University of São Paulo in the Department of Art History, he gained a more significant international experience at the Interdisziplinäres Institut für Historische Anthropologie at Freie Universität Berlin in 2012, and the Art dans la Mondialisation program at the Institut National de Histoire de l'Art in Paris in 2013. More recently, he was a visiting scholar at the Research Centre for Transnational Art Identity and Nation at the University of the Arts London in 2019 and a partner of the Project Art and Power supported by the Connecting Art Histories Initiative of The Getty Foundation (2022-2024). (Source: Lattes Curriculum)
| News published in Agência FAPESP Newsletter about the researcher |
| More itemsLess items |
| TITULO |
| Articles published in other media outlets ( ): |
| More itemsLess items |
| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
The research aims to question the canon of the so called exhibition histories, through case studies of the São Paulo Bienal from the 1970s and 1980s, and the theoretical and methodological reflections on the large scale perennial exhibitions of contemporary art. In the state of art in the field, the 24th São Paulo Bienal (1998) appears exclusively as an example of exhibitions that made ar…
A case study of London´s International Exhibition of 1862, aiming to analyze the internationalization artistic production in the realm of large scale perennial exhibitions of contemporary art. By searching the origin of the inclusion of Brazil and the artistic production of the country in the large scale exhibitions abroad, the project investigates how Southern modernity was presented in …
Within the scope of the research "The exhibition as a medium", the internship abroad is intended to conduct a study of Kassel documenta based on the historical anthropology developed at the Free University of Berlin. The research aims to develop an in depth discussion on "exponibilidade" within the theoretical perspective of anthropology of the image proposed by Hans Belting. (AU)
| 3 / 2 | Completed research grants |
| 2 / 1 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
| 7 / 5 | All research grants and scholarships |
| Associated processes | |
CV Lattes
ORCID