Abstract
The research aims to analyse historically the documentaries Maioria Absoluta (L. Hirszman, 1964) e A Opinião Pública (A. Jabor, 1967), specially, learn to what extent these films interact with the projects of the left and with it's review after the 1964 coup, whereas in the relationship between them we can glimpse a political pedagogy interested in teaching the middle class to see the peo…