CV Lattes
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Universidade Estadual de Campinas (UNICAMP). Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Lincenciatura Em Ciências Sociais from Faculdade de Filosofia Letras e Ciências Humanas - USP (1982), graduate at BACHARELADO EM CIENCIAS SOCIAIS from Universidade de São Paulo (1982), master's at MESTRADO EM MULTIMEIOS from Universidade Estadual de Campinas (1991) and ph.d. at ANTROPOLOGIA SOCIAL from Universidade de São Paulo (1999). Has experience in Arts, focusing on Photograph, acting on the following subjects: fotografia, cinema, fotografia autoral, comunicação and fotografia e antropologia. (Source: Lattes Curriculum)
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Philippe Dubois (born 1952) is Professor of the Film and Audiovisual Department of the Sorbonne Nouvelle University - Paris 3 where he occupies the chair of "Theories of visual forms". In addition, for six years Vice-President of this university (responsible for international politics), is since September 2012, senior member of the Institut Universitaire de France (IUF). He has published …
This project consists in a research about the voyeurism present in contemporary photography within the context of art. I try to develop it into two parallel parts but correspondent, so that they subsidize and therefore are not excluding or distinct. The first part aims at a critical/theoretical theme in order to contextualize it, surrounding it from different and complementary notions of …
"Appropriation photofilms" are films that stem from a preexisting photo archive. When transposed into cinema language and film length, the photographs undergo transformation both in form and content. How is such transposition carried out from the perspective of contemporary poetical creation? The analysis of a selected referential filmography allows the development of some answers to this…
This project searchs to develop a poetical work that uses the photograph as element base of expression for the artistic creation. Four hybrid actions had been stipulated: to erase, to sew, to engrave and to manipulate. These if concentrate at two distinct moments: first - a poetical intervention in the captation of the image (action to erase); e as - a proposal of performance from ready p…
The focus of the research project are two Spanish collections published respectively in the early sixties, and then the second, in the last decade of the last century. The first collection, "Palabra e imagen", became a reference in the construction of a field called a photobook, with conceptual works involving already recognized writers and young artists/photographers. The second collecti…
Photofilms consist of films that are entirely made of photographs or in which photographic language is explored substantially. This type of "animation" lies in the passage between cinema and photograph, superposing aspects from both supports. The PhD research relates photofilms to the concept of appropriation, giving birth to the so-called "photofilms of appropriation" category. With the …
| 7 / 2 | Completed research grants |
| 11 / 3 | Completed scholarships in Brazil |
| 3 / 3 | Completed scholarships abroad |
| 21 / 8 | All research grants and scholarships |
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