CV Lattes
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Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Undergraduated at Theater Studies (Theater Theory) and Theater Directing from Universidade de São Paulo (1990). Master of Arts (M.A.) at the Universidade de São Paulo (2002) and PhD. in Arts at the University of São Paulo (2008). Professor at the School of Communication and Arts (ECA) at the Universidade de São Paulo. Artistic Director of Teatro da Vertigem. He has experience in the Arts field, focusing on Theater Directing, specially on the following subjects: creative process; rehearsal methodology, collaborative process and contemporary theater directing. (Source: Lattes Curriculum)
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This project aims to carry out practical and theoretical research on creative processes, fostering dialogues between performing arts and ecology. Specifically, it intends to investigate relationships between scenic action and nature in artistic practice and training. In methodological terms, the project starts from the "práctica como investigación", seeking to contribute to a re-dimension…
The project aims at investigating five recent theatrical works, by companies from different parts of the world, in which we find a certain common strategy: the use of a silly comicity, even when the most urgent issues of the present are discussed, in order to explain the potency of a non- knowing about politics, or even an aesthetic politics of not-knowing. Whether facing the rise of a ce…
The research aims to establish the relationship between curatorship in the Live Arts and decolonization, using as reference the Beatrice Von Bismarck concept of curatorial set and the discussions of Boaventura de Sousa Santos, Eduardo Viveiros de Castro, Grada Kilomba and Jota Mombaça about the Brazilian colonization process. Through the bibliographic review of curatorial and decolonial s…
Traditionally, Konstantin Stanislavski's last period of life (1935 - 1938) is considered a sinthesizing period of his research. Some evidence found in a recent research in the Moscow Art Theatre Museum's Archive, though, allow us to think that this last period of life and work was something beyond: a new radical and paradigmatic change planned by Stanislavski himself in his last years, a …
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It is generally accepted that Konstantin Stanislvsy's last period of work (1935 - 1938) is the synthesis of his life-long theatrical searches. Nevertheless, the evidence previously found at the Moscow Art Theatre Museum Archives suggests that the Russian master's work in the 1930s was something else: a new and radical paradigmatic change in performance structures. This change was never co…
As part of our Doctorate research, entitled Other bodies: presence and performativity beyond the human, in which we study performative works that do not present human bodies on the scene or in which bodies appear clearly objectified, this Internship project at the Justus-Liebig Universitat Giessen aims at investigating how contemporary European dance contributed in shaping critical respon…
The goal of this project BEPE/FAPESP in UNAL (Universidad Nacional de Colombia) Bogota is the investigation of procedures for creating the contemporary Latin American staging processes generated from the annexation of real data to the scene. From artists of Latin America attempts to analyze the correlations and the motivations that made it possible in their poetic. It is intended to recog…
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| 1 / 1 | Ongoing scholarships in Brazil |
| 12 / 12 | Completed scholarships in Brazil |
| 3 / 3 | Completed scholarships abroad |
| 17 / 16 | All research grants and scholarships |
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