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Universidade Estadual de Campinas (UNICAMP). Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Bacharel em Interpretação from Universidade de São Paulo (1994) and master's at Arts from Universidade Estadual de Campinas (2003). Has experience in Arts, focusing on Arts, acting on the following subjects: direção teatral and dramaturgia cênica. (Source: Lattes Curriculum)
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Believing that Improvisation is the great expedient for the actor to expand and find a place where he can simultaneously engender and gush his creativity, this dissertation aims at the systemization of a theater improvisation exercise called "Campo de Visão". This systemization was created throughout the rehearsals of "A hora em que não sabíamos nada uns dos outros", a play written by Pet…
As an investigation platform of constructive and compositive elements of a play in the performing arts, the research "Lumino-Ato: frictions between lighting and performing for an expansive logic about scene composition" aim to investigate theatrical creative processes that exercises an expanded and conjoined creation practice, enlarging scenic realizations perspectives through methodologi…
The aim of this research is to propose an examination over different approaches of acting proceeding. I intend to analyze the 'Exercício e Linguagem Cênica Campo de Visão' and compare it with the 'Exercício e Linguagem Cênica Psicofísico' - both methods experienced and studied theorically and practically by me during my academic experience in Theatre - using the concepts of Play settled b…
This project intends to develop a research about the use of archetypes in the building of the scene. In order to accomplish such work, my intention is to analyze the concept of archetype according to C. G. Jung's theory. From there, search for a dialogue between the archetypes and the scenic elaboration, aiming the scrutinizing of details of the creative process, which is based on the inv…
(Only some records are available in English at this moment)
Campo de Visão is a system of choral scenic improvisation that I have been developing for over thirty years. This research generated artistic results with the Companhia Elevador de Teatro Panorâmico, which I have directed for 22 years, and academics (written by me and also with other authors): articles, books, master's dissertations, doctoral theses and Free Teaching. Considering the hist…