The ancestral memory’s polyphony: D. Nadir’s song, Mussuca’s voice, singer of groups of historical manifestations of Laranjeiras city – SE

• Grant number: 11/15704-8
• Support Opportunities: Scholarships in Brazil - Master
• Start date: March 01, 2012
• End date: January 31, 2014
• Field of knowledge: Linguistics, Literature and Arts - Arts - Theatre
• Principal Investigator: Inaicyra Falcao dos Santos
• Grantee: Osvaldice de Jesus Conceição
• Host Institution: Instituto de Artes (IA). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil

Abstract

This research aims to discuss the collective speech present in the popular song, which I would classify as polyphonic. I will do a case study about a female Master singer of tree historical manifestations from the quilombo remainder community, Mussuca, in the Laranjeiras city, Sergipe, with a view to amplifying the dialogue between the academic and popular knowledge, the latter being one primary focus in the current institutional structure of education, aiming at improving the teaching and learning process, within the Brazilian cultural identity. (AU)

Academic Publications

(References retrieved automatically from State of São Paulo Research Institutions)

CONCEIÇÃO, Osvaldice de Jesus. Polyphony in memory as a power of orality: the song of D. Nadir, the story of a trajectory. 2014. Master's Dissertation - Universidade Estadual de Campinas (UNICAMP). Instituto de Artes Campinas, SP.