SOCIAL AWARENESS THROUGH INTERDISCIPLINARY SCIENTIFIC ILLUSTRATION AND CEPID NEUROMAT: DIFFUSION OF ENVIRONMENTAL IMAGE BETWEEN MACHINE, HUMAN BEING AND TROPICAL ECOLOGY.

• Grant number: 25/02587-6
• Support Opportunities: Scholarships in Brazil - Scientific Journalism
• Start date: May 01, 2025
• End date: October 31, 2025
• Field of knowledge: Applied Social Sciences - Communications - Journalism and Publishing
• Principal Investigator: Fernando Jorge da Paixão Filho
• Grantee: Vannie Aurin Pavelski da Gama
• Host Institution: Instituto de Matemática e Estatística (IME). Universidade de São Paulo (USP). São Paulo , SP, Brazil
• Institution abroad: Grupo de Usuários Wikimedia no Brasil, Brazil
• Associated research grant: 13/07699-0 - Research, Innovation and Dissemination Center for Neuromathematics - NeuroMat, AP.CEPID

Abstract

This present project, aligned with CEPID NeuroMat in the area of ¿¿scientificdissemination, aims to contribute to the imagery update in environmental illustration,one of the tools for intensifying scientific dissemination, in order to stimulate the socio-environmental educational flow on the different modern ecosystems, including digitalones, such as through the use of 2.0 technologies in the dissemination of research resultsin articles on tropical ecology themes together with the presentation of machines, examsand processes in the area of ¿¿health and neurosciences, in addition to socioenvironmentalevents. This project aims at environmental integration at a theoretical and applied levelbetween technical articles, scientific illustration and artistic images, with a focus on theorganic components of machines and their identification in the urban and ecologicalenvironment, through the proposal of affective alliances by Krenak (2022) applied tothe use of scientific and artistic images in the digital environment with relations with thephysical environment, added to the perspectives of technology studies such as in Illich(1973) and Feenberg (2002), environmental history by Oliveira (2007) and Wohlleben(2022) and cultural history of the image Barbu (1975) and Mamlok (2011) as a part ofpresenting technical information and opensource data.