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| Author(s): |
Kalisy Cabeda de Souza
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2014-10-24 |
| Examining board members: |
Sayonara Sousa Pereira;
Ana Maria Rodriguez Costas;
Marilia Velardi
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| Advisor: | Sayonara Sousa Pereira |
| Abstract | |
The purpose of this dissertation is to reflect about the poetry creation through the cenical body. Our reflexion emerges from the praxis about the creative act, perception and sensibility, aiming the elaboration of a knowledge through our experience. In this experience, we perceived the cenical body as a constant dialogue between dance and theater, grounding our thought mainly on the notions of movement, body and physicality brought by the philosophers José Gil (2004) and Susanne Langer (1980) e by the critic Antonio Pinto Ribeiro (1994). We understand the praxis as essential to the development of the cenical body. Our thought is based in the elaboration of an experimental study about the cenical body though praxis of some principles present in the movement system of Rudolf Von Laban, specifically the movement factors: weight, space, time and fluency, and in the pedagogy of Jacques Lecoq, about the methodology of transferences. Starting with this study, we developed technical-artistic abilities that allowed us to recognize the poetical and expressive material of each dancer-actress involved in this research. After performing the experience about the researched methodologies, we used the creative body material of each interpreter in the elaboration of the cenical composition exercise: The sense is felt by the body. Through our creative process and the notions about the cenical body, we elaborated our reflexions about artistic creation based on the body and its poetical and singular physicality. Finally, we realized that the body material of each dancer-actress found, in the dialogue between dance and theater, a possibility of investigation and creation, elaborating an artistic language that finds its poetical material in the cenical body. (AU) | |
| FAPESP's process: | 12/04672-0 - The Sense feels with the Body: Reflections on poetic creation from the scenic body |
| Grantee: | Kalisy Cabeda de Souza |
| Support Opportunities: | Scholarships in Brazil - Master |