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| Author(s): |
Paulo Roberto Vieira
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2014-07-16 |
| Examining board members: |
Therezinha Apparecida Porto Ancona Lopez;
James Joseph Bogan;
Lilia Silvestre Chaves;
Jorge Sidney Coli Junior;
Marcos Antonio de Moraes
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| Advisor: | Therezinha Apparecida Porto Ancona Lopez |
| Abstract | |
The Brazilian poet Max Martins (1926-2009), rooted in Belém (PA), produced 48 notebooks between 1982 and 1999. The notebooks merge, through collage, his poetic creations into visual images, setting up a universe of appropriations of verbal and non-verbal images that connect to the word, literature, and daily events. Following the content in facsimile copies of the notebooks, the chapters of this thesis cover the lines of strength: Nature, Friendship and Eroticism, applied mainly to the analysis and interpretation of plastic inventions resulting from this confluence. This study of Max Martins as diarist, poet, and artist reveals the transfiguration of his life produced in their record of the days, poetry, drawings, paintings and collages (AU) | |
| FAPESP's process: | 11/08186-0 - Max Martins: literary biography and edition of excerpts of his daily ones |
| Grantee: | Paulo Roberto Vieira |
| Support Opportunities: | Scholarships in Brazil - Doctorate |