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| Author(s): |
Fábio Henrique Nunes Medeiros
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2014-07-07 |
| Examining board members: |
Ana Maria de Abreu Amaral;
Valmor Beltrame;
Wagner Francisco Araujo Cintra;
Sergio Nesteriuk Gallo
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| Advisor: | Ana Maria de Abreu Amaral |
| Abstract | |
This research aims to analyze the intercrosses between animation theater and animation cinema through its historical, aesthetic and operational assumptions, assuming that both languages have their genesis in the anima. For that, a historical and conceptual mapping of these languages was conducted, investigating the factors that bifurcate, and interweave them away, especially by means of a sampling of artistic practices of animation theater, animation cinema and modalities identified as converging to the object, such as automata, technology and virtuality. Because of a methodological question of the interdisciplinary characteristic of the object and its length, it was necessary that a cut of the macro to the micro were done, choosing a sample that includes the conceptual, historical and aesthetic tripod. Due to the coverage area of the object\'s field, this research addresses various aspects of vernacular and current knowledge, theoric and practical, in a recurrent pendulum motion. So, it presents a sampling that had as a criterion artists of excellence that converge to the object, including: Lotte Reiniger, Ji?í Trnka, Norman McLaren, Jim Henson, Michel Ocelot, Tim Burton, Cia Lumbra and Cia Pequod, as well as other scattered examples. (AU) | |
| FAPESP's process: | 10/08869-8 - COEXISTENCE IN THE ART OF ANIMATION: INTERCROSSING BETWEEN PUPPET THEATER AND ANIMATION CINEMA |
| Grantee: | Fábio Henrique Nunes Medeiros |
| Support Opportunities: | Scholarships in Brazil - Doctorate |