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| Author(s): |
Luvel Garcia Leyva
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2015-10-27 |
| Examining board members: |
Maria Lúcia de Souza Barros Pupo;
José Sergio Fonseca de Carvalho;
Ingrid Dormien Koudela
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| Advisor: | Maria Lúcia de Souza Barros Pupo |
| Abstract | |
The children\'s theater, in the context of contemporary theater shares an identity crisis and a blurring of their status epistemological with other expressions of this art; as well as aesthetic manifestations such as dancing , arts visual and cinema. The identity crisis and a blurring of their status epistemological therefore, added to this the differential phenomena inside the field of theater, increase the impossibility of defining the children\'s theater in simple terms. One cannot say a that there is a Children\'s Theatre, but rather different concepts, identities, practices or theatrical disciplines that establish a dialogue with the various kinds of childhood and their cultural performances. Accordingly, this research intends to reflect about the presence of children in the Cuban theater, discussing the children\'s theater phenomenon and the theater with children in the light of contemporary theater, in order to understand the main pedagogical approaches of the theater with children in Cuba. (AU) | |
| FAPESP's process: | 14/06748-0 - The Children's Crusade: Historic signs in the performances and Cuban theater |
| Grantee: | Luvel Garcia Leyva |
| Support Opportunities: | Scholarships in Brazil - Master |