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| Author(s): |
Laiana Lopes de Oliveira
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2014-02-14 |
| Examining board members: |
Denise Hortencia Lopes Garcia;
Silvio Ferraz de Mello Filho;
Luiz Eduardo Castelões Pereira da Silva
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| Advisor: | Denise Hortencia Lopes Garcia |
| Abstract | |
The study of the possibilities of interaction between voices and instruments in musical composition through the use of phonetics and phonology is the main purpose of the present work. There will be expose introductory questions about the history of vocal music under the point of view of the composer Luciano Berio (1925 - 2003) discussed in the book Remembering the Future (2006), in addition to the exposure of technical aspects such as narration, morphing, and vocal articulations not represented phonetically. Through the analysis of the works Aventures (1962) by György Ligeti (1923-2006), O King (1968), and Agnus (1971) by Luciano Berio it is possible to observe the use of the text as a structural element as well as its expansion toward the sound behaviors that promote connection and fusion of timbre in vocal and instrumental means. The phonetic inventory of the Brazilian Portuguese language allied to relations with the voices and instruments discussed here resulted in a creation of three own works to chamber music training that will be presented on compositional report (AU) | |
| FAPESP's process: | 12/11705-2 - Luciano Berio - Connection and fusion of voice and instruments in Agnus and O King |
| Grantee: | Laiana Lopes de Oliveira |
| Support Opportunities: | Scholarships in Brazil - Master |