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| Author(s): |
Rafael Luís Garbuio
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2015-03-27 |
| Examining board members: |
Carlos Fernando Fiorini;
Iara Regina Fricke Matte;
Alexandre Machado Takahama;
Flávio Ribeiro de Oliveira;
Daniela Francine Lino Popolin
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| Advisor: | Carlos Fernando Fiorini |
| Abstract | |
The six Italian madrigals books of Carlo Gesualdo present a close connection between music and text. The manipulation made by the composer in the poems that would serve as basis for his music evidences his search for a certain text format. Through the anal-ysis of these changes it was possible to characterize his poetic ideal and relate it direct-ly to his musical conception, aiming a more comprehensive understanding of the ex-pression of this group of works. To reach this result, the historical context was studied, especially the one of the city of Ferrara and its importance in the work of this composer. Also, the various aspects of his musical writing, the Mannerism and its relation to the late Italian madrigal were approached. In order to confront this information, it was done an analysis of the relation text / music on two poetic terms - love and death - through which we concluded how was the maturing process of the composer¿s writing, and the relevance of his poetic ideal as an interpretive tool (AU) | |
| FAPESP's process: | 11/00515-5 - THE MADRIGALS OF CARLO GESUALDO: An interpretative study in the light of his poetic ideal. |
| Grantee: | Rafael Luís Garbuio |
| Support Opportunities: | Scholarships in Brazil - Doctorate |