Full text
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| Author(s): |
Gabriel dos Santos Rocha
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2016-05-02 |
| Examining board members: |
Marina de Mello e Souza;
Muryatan Santana Barbosa;
Wilson do Nascimento Barbosa
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| Advisor: | Marina de Mello e Souza |
| Abstract | |
This dissertationaims to study how black people are conceivedand represented in intellectual productions of Abdias Nascimento when he led the Teatro Experimental do Negro (1944-1968). For illustrative purposes we will use the factsthat preceded and followed thatperiod. However, wewill place the author in the historical and social context from 1944 to 1968, and will look the construction of his thinking on race relations in Brazil, and his anti-racism activism, considering his intellectual, political and ideological influences. We look at how the notion of a black cultural identity is constructed in Abdias Nascimentos discourse in that period ofchanges on ways of thinking about race relations in Brazil. (AU) | |
| FAPESP's process: | 13/27014-1 - The black as theme as subject in the work of Abdias do Nascimento: 1944-1968 |
| Grantee: | Gabriel dos Santos Rocha |
| Support Opportunities: | Scholarships in Brazil - Master |