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| Author(s): |
Noara de Oliveira Paoliello
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2016-03-15 |
| Examining board members: |
Monica Isabel Lucas;
Cassiano de Almeida Barros;
Paulo Mugayar Kühl;
Eduardo Henrique Soares Monteiro;
Mario Rodrigues Videira Junior
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| Advisor: | Monica Isabel Lucas |
| Abstract | |
The relationship of Georg Philipp Telemann (1681-1767) with French taste goes back to the beginning of the composer\'s musical activities, with highlight on his trip to Paris (1737), to the end of his life. This research investigates the categories of eighteenth-century quartets starting from Scheibe (1740) and Quantz (1752) definitions, tracing the route of genres and styles in Telemann\'s quatuors - with emphasis to Nouveaux Quatuors (Paris, 1738). Special attention is given to the conversational style, or dialogue - mentioned by Brossard (1708) and Mattheson (1739) - in contrast to the previous quartet sonatas in contrapuntal style. With regard to the style, character and function (delectare), the conversation genre is echoed in eighteenth-century French texts dealing with art of gallant conversation in vogue in the French salons in XVIII century. It is proposed to study more deeply the genres and styles in Telemann\'s quatuors, analyzing from his first, unpublished, to the latest collections (published in Hamburg and Paris) in order to investigate how the composer was gradually developing new ways of composing for 4 voices. (AU) | |
| FAPESP's process: | 11/22952-8 - The French taste in the German courts of the seventeenth century: the Paris Quartets of Georg Philipp Telemann |
| Grantee: | Noara de Oliveira Paoliello |
| Support Opportunities: | Scholarships in Brazil - Doctorate |