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| Author(s): |
Nicole Guim de Oliveira
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2017-11-01 |
| Examining board members: |
Marlise Vaz Bridi;
Ana Maria Domingues de Oliveira;
Cleide Antonia Rapucci;
Nicia Petreceli Zucolo
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| Advisor: | Marlise Vaz Bridi |
| Abstract | |
Maria Teresa Horta and Ana Luísa Amaral are two authors that build their poetics around themes that are viewed as less important by the Portuguese canon. This study seeks to analyze texts chosen from Minha Senhora de Mim (1971) and Os Anjos (1983), by Maria Teresa Horta; Novas Cartas Portuguesas (1972), by Maria Isabel Barreno, Maria Velho da Costa and Maria Teresa Horta; and Minha Senhora de Quê (1990), Vozes (2013) and Escuro (2015), by Ana Luísa Amaral; noticing how the literature written by women tends to act using its potential to deconstruct canonized speeches literary or not. On that subject, the concept of parody proposed by Lynda Hutcheon in Uma Teoria da Paródia (1985) was chosen to examine how the reconfiguration of canonical texts subverts not only the literary tradition, but also stablished social structures in a patriarchal society. (AU) | |
| FAPESP's process: | 14/26410-3 - Word ladies: the appropriation of voice in the works of Maria Teresa Horta and Ana Luisa Amaral |
| Grantee: | Nicole Guim de Oliveira |
| Support Opportunities: | Scholarships in Brazil - Master |