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Conceptions of body in the first millennium Assyria: between materiality and textuality

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Author(s):
Leandro Penna Ranieri
Total Authors: 1
Document type: Doctoral Thesis
Press: São Paulo.
Institution: Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD)
Defense date:
Examining board members:
Marcelo Aparecido Rede; Alexandre Galvão Carvalho; Vânia Carneiro de Carvalho; Carlos Henrique Barbosa Gonçalves; Julio Cesar Magalhães de Oliveira
Advisor: Marcelo Aparecido Rede
Abstract

The aim of this research is to examine and comprehend the conceptions of the body in Assyria at the end of the 8th and 7th centuries BCE, from the analysis of palatial images and texts. The visual sources are composed by the reliefs of the kings of Sennacherib (704-681) and Assurbanipal II (669-627) in Nineveh (present-day northern of Iraq). The written sources are Royal Inscriptions, Treaties and Oaths, Letters and literary texts. All these texts had the Assyrian royal palaces as production axis. The reliefs are stone plaques with bas-relief sculptures, which were used on the walls of the Assyrian palaces from the end of the second millennium BCE. This use was continued throughout the period called Neo-Assyrian or Late Assyrian (934-610 BCE), exposing images of people, animals, plants, landscapes and architectures. The configuration of these figurative elements expresses scenes of spatial narratives through images. The orchestrated arrangement of the reliefs on the walls of the palaces shows potential ways of perception of the images by the movement in the palatial environments. The recurrence of the body expression in the reliefs evokes an attentive threefold perspective: on the materiality, the images of the body and the modes of perception and contact with these objects in that period. The constant presence of body expressions in Neo-Assyrian texts also constitutes a way to treat body through language. Considering the complementarity between visual and written sources in the Neo-Assyrian period and the fact that body conceptions can be expressed in texts and images, what is the status and use of the body in this period? How does the body appear in the reliefs and palatial texts? What are the material aspects of the reliefs? How do body images and written body expressions indicate their conceptions? (AU)

FAPESP's process: 14/22125-2 - Conceptions of body in Assyria of the first millenium B.C.: between materiality and textuality
Grantee:Leandro Penna Ranieri
Support Opportunities: Scholarships in Brazil - Doctorate