Full text
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| Author(s): |
Talita Trizoli
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Educação (FE/SBD) |
| Defense date: | 2018-07-06 |
| Examining board members: |
Celso Fernando Favaretto;
Heloisa Buarque de Almeida;
Sonia Salzstein Goldberg;
Tânia Cristina Rivera;
Ana Paula Cavalcanti Simioni
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| Advisor: | Celso Fernando Favaretto |
| Abstract | |
In this PHD Dissertation, I make a critical analysis of Brazilian artistic production in traffic of the 60 to 70 of the twentieth century, within the assumptions of feminist theories of cultural criticism, emphasizing the possibilities of female subjectivity by artistic practice. To be more specific, I am concerned here with some work done by thirty women artists working in this period, contemporary with each other and to the advent of the second feminism wave in the country, involving the aesthetic and plastic concerns in vogue, and that allow the approach of a feminist criticism, since they worki with body and identity issues, which mainly cover the limits and/or possibilities of subjective processes from the perspective of confrontations and subversions of the genre. (AU) | |
| FAPESP's process: | 14/23213-2 - Art, feminism and subjectivity |
| Grantee: | Talita Trizoli |
| Support Opportunities: | Scholarships in Brazil - Doctorate |