Full text
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| Author(s): |
Lidia Olinto
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2016-07-26 |
| Examining board members: |
Matteo Bonfitto;
Cassiano Sydow Quilici;
Renato Ferracini;
Fernando Antonio Mencarelli;
Ricardo Carlos Gomes
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| Advisor: | Tatiana Motta Lima; Matteo Bonfitto |
| Abstract | |
The central theme of this dissertation is the notion Conjunctio oppositorum, a term used by Jerzy Grotowski to express the paradoxical intertwining between `structure¿ and `spontaneity¿ in the performing work. The dissertation is divided into three parts. Part I, called Conjunctio oppositorum, is a historical analysis and bibliographic review of the subject. Part II, the Paratheatre, is an analysis of the projects undertaken between 1970 and 1982 by the Laboratory Theatre ¿ Polish group directed by Jerzy Grotowski. Part III, entitled Conjunctio oppositorum in the Paratheatre, parts I and II are linked through the analysis of the paradox structure- spontaneity in the parathetrical projects. The objective is to demonstrate how in the Paratheatre, where apparently there was no structure, yet this dimension was stilI configured (AU) | |
| FAPESP's process: | 14/05043-2 - Conjunctio oppositorum and the Paratheatre of Jerzy Grotowski and company (1970-1982) |
| Grantee: | Lidia Olinto Do Valle Silva |
| Support Opportunities: | Scholarships in Brazil - Doctorate |