Full text
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| Author(s): |
Alexandre Martinello Sanches
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2009-07-08 |
| Examining board members: |
Denise Hortencia Lopes Garcia;
Rodolfo Caesar;
Jônatas Manzolli
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| Advisor: | Denise Hortencia Lopes Garcia |
| Abstract | |
The objective of this study is to develop a model for the creation of audiovisualworks through morphological qualities. Initially, a survey of some approaches related to the usage of the audiovisual relation and concepts from each of the areas are highlighted. From the sound area, some characteristics and interpretations of the term "sound" are presented, following the works of composers and theoreticians Pierre Schaeffer and Michel Chion. From the visual area, points and characteristics are approached following the works of Rudolf Arnheim, Lúcia Santaella, Winfried Nöth and Jacques Aumont. On the part related to audiovisual, lines of thought related to synesthesia, Edward L. Marks' Multisensoriality Phenomenon and Michel Chion's Audiovisual Contract and Transensoriality. The choice of which approach related to audiovisual is used in this theoretical and practical study is defined through the critics of the concepts presented during the theoretical recapitulation and of the study elaboration. These choices may be summarized by the search of a restructuring and unifying of the work through perceptive results and parameters belonging to the very audiovisual relation; by the usage of sound events and visual events fixated (recorded); and by the observation of influences which occur when there is overlapping of "sounds" and "images" from the idea of Michel Chion's audiovisual contract. The practical studies are divided into two volumes, with three studies each: "Estudo dos Objetos Audiovisuais Vol. I", containing the studies of "Facture", "Overlapping" and "Density" and "Estudo dos Objetos Audiovisuais Vol. II", which contain the studies of "Synchrèse", "Aimantation Spaciale" and "Ritmo (AU) | |