Full text
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| Author(s): |
Ana Luiza de Magalhães Castro
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2013-12-18 |
| Examining board members: |
Suzi Frankl Sperber;
Fernando Antonio Mencarelli;
Cassiano Sydow Quilici
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| Advisor: | Suzi Frankl Sperber |
| Abstract | |
This work develops a reflection about the presence of narrative in the theater of Peter Brook. Understanding this presence as a result of his search toward the "quality" and "life" of the scene. From the notion of traditional narrative derives the concept of experience, that dialogue with the premises proposed by Brook for his theater. The play "The Conference of the Birds" was chosen for this study because it presents the fully narrative acting in the Peter Brook's theatre process. It combines the knowledge developed by the group in the first cycle of their work that began with the creation of CIRT - International Centre for Theatre Research in 1970 (AU) | |
| FAPESP's process: | 10/03263-4 - The actor-narrator in the Theatre of Peter Brook: an study from the play "The Conference of the Birds" |
| Grantee: | Ana Luiza de Magalhães Castro |
| Support Opportunities: | Scholarships in Brazil - Master |