Coerpoestranho - multirrelational performative body: paradoxes of creative process

Author(s)

Antonio Flávio Alves Rabelo

• Document type: Master's Dissertation
• Press: Campinas, SP.
• Institution: Universidade Estadual de Campinas (UNICAMP). Instituto de Artes
• Defense date: 2009-12-08

Examining board members

Renato Ferracini; Regina Polo Muller; Lucio Jose de Sá Leitão Agra

• Advisor: Renato Ferracini; Fernando Antonio Pinheiro Villar de Queiroz

Abstract

In this dissertation, we have developed a conceptual-practical research about the paradoxes of the creative processes of the body in art. This corporeity is experimented in the subject of artistic performance in public and private alternative spaces. The research process is related to creation, execution, documentation, reflection and analysis of the series of performances named ",Corpoestranho,". Its conceptual basis is associated with the concept of Corpo Subjétil in Ferracini (2006), from the notions of rhizome, CsO, deviance and event in Deleuze (1995, 2007). In this research, we have problemized the search for procedures for the body in art (corpo subjétil) articulated by the meetings of "Rede de Afetos" of our creative process, admitting the collective aspects inherent to the creative action and the processuality as work (Cohen, 2004). In this way, the ",corpoestranho," is configurated as a body in process, boundary and paradoxal body. A rhizomatous body, virtualized and up-to-date (Lévy, 1996) in the scheme of this "Rede de Afetos", from the relation of the internal and external micro-elements that forms it. Body between "me" and "other", body in overflow, put in relation to space, time and other bodies. (AU)