Jean-Luc Godard in Brazil: from reception to prohibition (1961-1970)
Fractions of reality: essayism in Portuguese speaking cinemas
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The influence of Group Dziga Vertov in the cinema of Jean-Luc Godard
Full text
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| Author(s): |
João Paulo Miranda Maria
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2010-08-24 |
| Examining board members: |
Etienne Ghislain Samain;
Milton José de Almeida;
Francisco Elinaldo Teixeira
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| Advisor: | Etienne Ghislain Samain |
| Abstract | |
This work investigates the aesthetic transformation in Jean-Luc Godard' Movies, analyzing before, during and post the Dziga Vertov Group, headed by Jean-Luc Godard and maoist students. Change aesthetics of Godard is noticed by many, but there is a shortage of detailed studies on the influence of Dziga Vertov group' years. Therefore, this work focuses on the main characteristics before Group, relating to changes of positioning occurring during the period of Dziga Vertov' action. Describes, yet, how these changes have resulted in current cinema developed by filmmaker, which deals with greater depth new connections between the moving images. In this sense, the filmmaker is the unique in the area that reaches such a feat (AU) | |