Cartographies of feminine songs: women Brazilian composers in the twentieth century
Compositional strategies of Luciano Berio from an analysis of the Sonata per piano...
Research on assisted musical analysis and imanent musical analysis
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Author(s): |
Andre Silva Pereira de Oliveira Ribeiro
Total Authors: 1
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Document type: | Master's Dissertation |
Press: | Campinas, SP. |
Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
Defense date: | 2007-11-23 |
Examining board members: |
Silvio Ferraz de Mello Filho;
Gilberto Ambrosio Garcia Mendes;
Rogerio Luiz Moraes Costa
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Advisor: | Silvio Ferraz de Mello Filho |
Abstract | |
The purpose of this work is to present the musical creation as a convergence of elements of distinct nature of the order of the sonorous one - such as sounds, images, sensations, feelings, ideas and etc -, and to examine it at its relative moments the formation of the musical ideas. For this we create a proper conceptual device, intitled "proximities and distance", in order to disclose its main characteristics. Thus, we guide our efforts to the creation of concepts to try to disclose the dynamics of the musical creative processes, which, frequently, demonstrate a presence of not musical elements (AU) |