Full text
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| Author(s): |
Verena Carla Pereira
Total Authors: 1
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| Document type: | Master's Dissertation |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2010-00-00 |
| Examining board members: |
Nuno César Pereira de Abreu;
Sheila Schvarzman
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| Advisor: | Fernão Vitor Pessoa de Almeida Ramos |
| Abstract | |
This Master's Research begins with the Undergraduate Research entitled "Produção Documentária Estatal no DOCTV: levantamento de dados e formação de acervo", developed from 2006 to 2007, under the supervision of Professor Fernão Ramos. That research, sponsored by CNPq/PIBIC, intended to develop a wide data gathering about DOCTV. This data collection now serves as a source to the research presented here. The reflection about DOCTV emerges from the curiosity of understanding how a program, sponsored by the Government and Public TV companies, works. We have noticed a higher emphasis to the Brazilian documentary production and also a higher acceptation of international production in the past few years. Innumerous possibilities aroused with specialized festivals, such as "It's All True". The reasons are multiple, such the higher utilization of veridical news as documentary themes and the expansion of "docudrama", that makes use of a documentary-based language to fictionalize a story. DOCTV arises from the promising context of documental language. While the screenplays produced during the first three editions of the Program do not innovate much, DOCTV renews the film-making industry through its complex work structure. The Program's merit resides in the articulatory movement built all around it: the articulation of broadcasting, distribution and commercialization systems. These and other actions take part on a wide and unique system developed to turn DOCTV into reality (AU) | |
| FAPESP's process: | 08/01659-8 - Documentary State production in the DOCTV |
| Grantee: | Verena Carla Pereira |
| Support Opportunities: | Scholarships in Brazil - Master |