Appropriation photofilms: from photographic archive to cinema screen
Magic and animation: pixilation, living being and everyday object
Appropriation photofilms: from the photographic archive to the cinema screen
| Author(s): |
Érico Monteiro Elias
Total Authors: 1
|
| Document type: | Master's Dissertation |
| Press: | Campinas, SP. , ilustrações. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2009-10-08 |
| Examining board members: |
Fernando Cury de Tacca;
Ronaldo Entler;
Johannes Andreas Valentin
|
| Advisor: | Fernando Cury de Tacca |
| Field of knowledge: | Linguistics, Literature and Arts - Arts |
| Indexed in: | Base Acervus-UNICAMP |
| Location: | Universidade Estadual de Campinas. Biblioteca Central Cesar Lattes; Universidade Estadual de Campinas. Biblioteca do Instituto de Artes |
| Abstract | |
The purpose of this Master's dissertation is to discuss the relationship between photography and cinema by way of an assessment and analysis of artworks made out of the blend of elements arising from both media. This research was specifically carried out in order to circumscribe the animation of photography, which consists of translating photographic material into film format. Films made entirely from this technique are called "fotofilmes" (photo-movies). Through the mapping of Brazilian photo-movies, this dissertation aims to assess works that are endowed with a greater expressive potential, thus providing an opportunity to describe in detail the resources offered by the technique (AU) | |