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| Author(s): |
Caio de Souza Gomes
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2013-04-25 |
| Examining board members: |
Maria Helena Rolim Capelato;
Marcos Francisco Napolitano de Eugênio;
Tânia da Costa Garcia
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| Advisor: | Maria Helena Rolim Capelato |
| Abstract | |
The objective of this research is to analyze the Latin America integration project conceived by the artists involved with the protest song in the 1960s and 1970s. In this period, the impact of Cold War resulted in a polarized debate that affected the cultural field, and especially the artistic field. The common political experiences favored the exchange of ideas and the intense movement of artists across the continent. Using the most prominent artists discography as source, the purpose is to analyze three moments of the history of \"transnational connections\" in the protest song in Latin American: a) the first, between 1963 and 1966, time of development and consolidation of nueva canción movement in the Southern Cone, when the engagement was manifested fundamentally by social criticism; b) the second, between 1967 and 1969, marked by the impact of the I Encuentro de la Canción Protesta held in Cuba, that highlighted two important themes: revolution and anti-imperialism; c) the third, which comprises the 1970s, a period marked by the radicalization of political discourse and by the intensification of connections. Especially in this third phase, I analyze the Brazilian artists efforts to integrate the circuits of Latin American protest song. (AU) | |
| FAPESP's process: | 10/13857-9 - "When a wall separating, a bridge connects together": transnational connections in the engaging song in Latin America |
| Grantee: | Caio de Souza Gomes |
| Support Opportunities: | Scholarships in Brazil - Master |