Analysis according Rhetoric systematic of Vivaldi's six Sonatas for Cello and Cont...
Electroacoustic processes based on time-frequency analyses and their application i...
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Author(s): |
Ruy Homem de Mello Maciel
Total Authors: 1
|
Document type: | Doctoral Thesis |
Press: | São Paulo. |
Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
Defense date: | 2010-05-20 |
Examining board members: |
Amilcar Zani Netto;
Manoel Lelo Bellotto;
Yara Borges Caznok;
Neide Antonia Marcondes de Faria;
Fernando Henrique de Oliveira Iazzetta
|
Advisor: | Amilcar Zani Netto |
Abstract | |
This project proposes a new model of musical analysis, complementary to the traditional harmonic analysis. The establishment of two attractors issued from the expansion of the 18th centurys harmonic stability and from the thematic resolution of the thematic dichotomy, basic conditions for the Sonata Forms existence is its starting point, which defines an elementary catastrophe with one control factor from the René Thoms Catastrophe Theory. The simultaneous identification of formal conflicts in the structural, aesthetics and harmonic analysis of the Sonata Form is a further condition to determine its degenerate critical point and to define the total change in its format, which is to communicate a new formal structure after passing through its pitchfork bifurcation. (AU) | |
FAPESP's process: | 07/02376-7 - Sonata form in discontinuities and bifurcations |
Grantee: | Ruy Homem de Mello Maciel |
Support Opportunities: | Scholarships in Brazil - Doctorate |