Três sonatas contemporâneas brasileiras para piano: estudo analítico-interpretativo das sonatas de Marlos Nobre, João Guilherme Ripper e Roberto Victório

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Author(s):	Ederson Jose Urias Fernandes da Silva Total Authors: 1
Document type:	Master's Dissertation
Press:	São Paulo.
Institution:	Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD)
Defense date:	2010-12-09
Examining board members:	Rogério Luiz Moraes Costa; Nahim Marun Filho; Ronaldo Coutinho de Miranda
Advisor:	Rogério Luiz Moraes Costa
Abstract
The main objective of this dissertation is to demonstrate the use of Sonata Form on contemporary Brazilian music. For the sake of contextualization, there is initially a description of the historical process of transformations of the sonata form and also of the main facts of the Brazilian Music during 20th century. Next there is an analysis of piano sonatas by three brazilian composers (Marlos Nobre, João Guilherme Ripper e Roberto Victorio) and also the pieces with inspired them (Liszt\'s B Minor Sonata, Alban Berg\'s Sonata Op. 1 and Roberto Victorio\'s Vattan). Finaly there are study suggestions of the three chosen sonatas. (AU)

FAPESP's process:	09/03748-0 - Panorama of the Brazilian contemporary compositions for piano (1989 - 2009)
Grantee:	Ederson José Urias Fernandes da Silva
Support Opportunities:	Scholarships in Brazil - Master