Full text
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| Author(s): |
Walter Nery Filho
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2012-10-10 |
| Examining board members: |
Paulo de Tarso Camargo Cambraia Salles;
Marcos Branda Lacerda;
Acácio Tadeu de Camargo Piedade
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| Advisor: | Paulo de Tarso Camargo Cambraia Salles |
| Abstract | |
This dissertation aims, through musical analysis, bring to light the compositional processes involved in the elaboration of the pieces O Passarinho de Pano (The Little Cloth Bird), A Baratinha de Papel (The Little Paper Bug) and O Gatinho de Papelão (The Little Cardboard Cat) from the Prole do Bebê No. 2 (Baby\'s Family) suite by Heitor Villa-Lobos. Produced during his modernist phase, the work was created primarily toward his emancipation from the traditional processes of composition prevailing in the early twentieth century, specially in Rio de Janeiro. The nine solo piano pieces integrates a collection with high level difficulty of execution and structural complexity, constituting a constant source of inspiration for questions related to the analysis, to musical interpretation and their interrelationship. (AU) | |
| FAPESP's process: | 10/03163-0 - Villa-Lobos: analysis of the compositional methods from the "Prole do Bebê nº 2" suite |
| Grantee: | Walter Nery Filho |
| Support Opportunities: | Scholarships in Brazil - Master |