Full text
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| Author(s): |
Carolina Bassi de Moura
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2010-08-27 |
| Examining board members: |
Fausto Roberto Poço Viana;
Luiz Armando Bagolin;
Esther Imperio Hamburger
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| Advisor: | Fausto Roberto Poço Viana |
| Abstract | |
This research verifies the fundamental character of visual resources like costumes and scenery for the process of construction of the characters on cinema. Verifies the importance of more freedom for art direction making its compositions, opting for forms and colors more coherent with ideas and sensations than realistic reproductions. The study is made from cinematographic works of Federico Fellini, director which is unworried with realistic conceptions and which is creator of a creative process very particular. In this work will be considered specifically three films, La Strada (1954), Julieta dos Espíritos (1965) e Toby Dammit2 (1967), because of their emblematic visual construction strongly worked. (AU) | |