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Universidade Federal de São Paulo (UNIFESP). Campus Guarulhos. Escola de Filosofia, Letras e Ciências Humanas (EFLCH) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Marina Soler Jorge is a sociologist and full professor in the Department of Art History at Unifesp's School of Philosophy, Letters and Human Sciences and in Unifesp's Postgraduate Program in Art History. She studied Sociology and Political Science at Unicamp, holds a Master's degree in Sociology from Unicamp and a PhD in Sociology from USP. She has published work in the areas of sociology of art and female representations in contemporary audiovisuals. She is the author of the books Cultura Popular no Cinema Brasileiro dos Anos 90 (2010) and Lula no Documentário Brasileiro (2011), as well as articles on reception, cinema, television and feminism and the sociology of art. Recently, she has been focusing on Chinese TV dramas. (Source: Lattes Curriculum)
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The research presented in this project aims to analyze two narco-series produced by Netflix, released a few years apart, and whose theme is the trajectory of the best-known drug traffickers in both political-police and mass culture: Narcos, which represents Pablo Escobar and the brothers Rodríguez Orejuela, Colombians, and El Chapo, which focuses on the life of Joaquín Guzmán Loera, Mexic…
This project aims to investigate the contemporary film criticism through a analysis of texts published in major mass media, especially magazines and newspapers considered opinion leaders, and written by authors who retain a critical impact even in the context of democratization of the writing and of the judgment through the Internet.From a reinterpretation of Pierre Bourdieu's concept of …
We intend to undertake with this project a qualitative and quantitative research in a sample of the audience of the 34th São Paulo International Film Festival, to be held between October 22 and November 4, 2010. From the analysis of responses obtained we hope to get relevant information regarding how a specific audience of cinema - one that attends the São Paulo Film Festival - relates to…
This project aims to address the slasher trilogy Fear Street (2021). The research problem is to think about the origin of the slasher subgenre and whether the trilogy in question can change the subgenre's representation of race and sexuality. The trilogy is a relevant research object with regard to issues of gender, race and sexuality, from the moment it is willing to discuss and question…
The research presented here aims to question and analyze the way in which South Korean cinema constructs the representation of the Gwangju Uprising, which took place from May 18 to 27,1980, with some of its main points are the questions about the exclusion of female participation due toa certain masculinization of such a historical moment and the invisibility of certain aspects present in…
This project aims to analyze the group Cinemateus - active in São Mateus, Eastern Zone of São Paulo - and that is an important object of study to understand the current artistic activism present in Brazil today. It is an independent film group fighting for improvements in the community of São Mateus, using audiovisual as a social transformation. The group survives through edicts and disse…
(Only some records are available in English at this moment)
| 6 / 3 | Completed research grants |
| 10 / 7 | Completed scholarships in Brazil |
| 16 / 10 | All research grants and scholarships |
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