Abstract
This work aims to develop a musical analysis of Choros n. 7 (1924), by Heitor Villa-Lobos, for flute, oboe, clarinet in B flat, E flat alto saxophone, bassoon, violin, and cello (with the inclusion of a tan-tam in the final bars). We seek to understand aspects of his compositional language, linking them with other Choros, with the production of the composer, and with the music scene of hi…