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Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
PHD Professor at São Paulo University (USP) - Drama Department at School of Communication and Arts. Pos-PHD Freie Universität Berlin (2015-2016-FAPESP), Pos -PHD UNICAMP (2007-2009- FAPESP), PHD at Campinas University -UNICAMP (2007/ FAPESP). Scholarschip from DAAD-German Academic Exchange Service (2004-2005). Graduation at Hochschule Für Musik-TANZ Köln/Germany (2003),Studies at Folkwang University -Essen/Germany (1985-1995). Has experience in Artes, focusing on Coreografia, acting on the following subjects: German Tanztheater, choreographie ,dance-pedagogy. Directorin from LAPETT - Laboratory of Research and Studies in Tanz Theatralities at São Paulo University. Writer of the books: Rastros do Tanztheater no Processo Criativo de ES-BOÇO (2010).Trajetórias em construção: escritos cênicos dos pesquisadores do LAPETT-2016/Editora Prismas. (Source: Lattes Curriculum)
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This project aims to reflect on the role of rhythm and musicality in actor training in the light of traditional Brazilian cultures, after verifying, in my master's degree related to the topic, that the theoretical framework of this field privileges Western canons. The study proposed in this doctorate is based on the hypothesis that actor training in Brazil should promote rapprochement wit…
Starting from the history of the German Tanztheater, the project aims to investigate the different characteristics of choreographic composition observed in a work by the artist Pina Bausch (1940-2009) that was originally composed for the Tanztheater Wuppertal. The work is Kontakthof from 1978, that after almost 30 years in the Company's repertoire was rebuilt in 2000, to a cast of people …
This research intends to study and investigate the dance performer in order to understand the means he/she uses for artistic creation in the contemporary scene. Therefore, the study tries to approach and reflect on fundamental matters that come across the dance performer when he/she develops the creative work - such as: choreographic composition, awareness of his/her physical and emotiona…
This research proposes think the dramaturgy in its broad sense, ie disconnected from the classical understanding that restricted its meaning to the text. The study therefore considers the fabric and construction of meaning proposed by a work and creative process that surrounds it. The theme cropping occurs in the setting of independent contemporary dance located in Brazil, analyzing diffe…
(Only some records are available in English at this moment)
Theatricality has been discussed in recent decades in different research centers in the world. In Europe join the discussion of this great theme, authors discuss the role of the creation of the performers in the pieces of dance and theater. Nowadays, we have authors like Brandstetter, Fischer-Lichte, and Foellmer that address this issue as the result of the interaction between thinking, f…
| 1 / 1 | Completed research grants |
| 1 / 1 | Ongoing scholarships in Brazil |
| 10 / 6 | Completed scholarships in Brazil |
| 1 / 1 | Completed scholarships abroad |
| 13 / 9 | All research grants and scholarships |
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