Abstract
The moment we started studying Emílio Guimarães Moura (1901-1971), we stumbled up with his intention in creating a different way that will ride the substances of lyric and the existential languages and, thus, we will analyze and verify this mystical way in Moura and the figure of the Muse in his poetry after his Works Canto da hora amarga (1936) and Cancioneiro (1945). The miner's poetic …