CV Lattes
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Universidade Estadual de Campinas (UNICAMP). Instituto de Filosofia e Ciências Humanas (IFCH) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Associate Professor of History of Art at the State University of Campinas and Director of the Museum of Visual Arts at the University of Campinas. AvH Visiting Professor at the University of Hamburg (Germany). 2020: Visiting Fellow at Yale University (USA). 2015-2016: Postdoctoral Research Fellow at the University of São Paulo, and at the École des Hautes Études en Sciences Scoiales in Paris. PhD in Cultural Studies, as a fellowship holder of the Erasmus Mundus Joint Doctorate "Cultural Studies in Literary Interzones". Holds a Masters degree in European Literary Cultures, conjoint degree offered by the universities of Strasbourg (France) and Bologna (Italy). An expert on the History of the Situationist International, has studied Guy Debord's archives at Bibliothèque Nationale de France and the SI Papers at the Beinecke Library at Yale. Works on the fileds of Art History (Modern and Contemporary), Critical Theory and Cinema. (Source: Lattes Curriculum)
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The project offers a new perspective on the late-Soviet art between the death of Stalin and the collapse of the USSR. It focuses on the artistic practices that survived the violent persecution of the avant-garde, and were in demand again in the 1960s-1980s. They spread among institutionalized Soviet artists who were especially keen on this legacy. Thus, they were encouraged to have person…
This research aims to study how contemporary art answered to the new world order after the start of the so-called War on Terror. The War on Terror, declared by President George W. Bush after the terrorist strikes of September 2001, introduced a geopolitical and discursive rupture of profound consequences, and is arguably a turning point in the globalized state of affairs. With the end of …
Since the second half of the twentieth century, the perception of linear progress, characteristic of modernity, has given way to a feeling of hesitation, resulting in a loss of expectation for the future on the historical horizon. In this context, uncertainties associated with new technologies, changes in the dynamics of capitalism and the environmental degradation were the focus of diffe…
This doctoral project proposes a study of two unique 20th century movements that did not seek to present themselves as aesthetic avant-gardes in a process of gradual evolution of art, but as artistic-political avant-gardes with distinct revolutionary intentions. A study of the Surrealist (1948-1965) and Situationist (1957-1972) movements is thus undertaken, based on a corpus of documents …
The present research project aims to investigate the production of Lucy Citti Ferreira (1911-2008) and Yolanda Mohalyi (1909-1978). Both artists produced beside Lasar Segall between the 1930s and 1940s. Given their proximity to the Lithuanian painter, part of their work was understood by critics as a by product. Notwithstanding their academic backgrounds and their various stints in Europe…
This masters' project propounds to investigate, from the study of national press, the reception and circulation of Marie Laurencin work in Brazil between the 1940s and 1950s. The period stands out because of the significant increase od the presence of her work in expositions, in the media and in the Brazilian art market. Although dissipated in the following decades, this increase reveals …
The Brazilian reception of abstract impressionism, in the first eight Bienais of São Paulo, witness the migration of the internation art axis from Paris to New York, as well a domestic quarrel over how should we narrate and construct a national tradition of painting. In this sense, we shall tackle this reception in the Bienais from 1951 to 1965, positioning it in a global dynamics in whic…
This research aims to clarify Guy Debord's rapport to the philosophy of Karl Marx and to the French Marxist debate of the post-war years. Debord had been initially a vanguard artist, moving later to the theoretical and political debate to elaborate his own critical theory, the theory of the spectacle, which he presented in his main oeuvre The Society of the Spectacle (1967). Nowadays, Deb…
The present proposal aims to investigate the trajectories of Lucy Citti Ferreira (1911-2008) and 2008) and Yolanda Mohalyi (1909-1978), based on documents that is still unpublished and not accessible in Brazil. Even though they have integrated several artistic circuits, holding individual and collective exhibitions, there is a significant absence of studies about their productions. Theref…
This research project aims to comprehend the internationalization process of Marie Laurencin's work in the "peripheral" modern art market, particularly in Brazil and South America. We will study the circulation of her work, the valorization of her paintings, and the critical discourses about her work, considering the french markets and global networks established by modern art. Having as …
This proposal is an offshoot of the project "Shadow of freedom: discourses about Brasil and the world in the 1950s visual arts". Both projects investigate the discourses and canvases that the agents of the Brazilian artistic world (critics and painters) developed, in Brazil between 1950 and 1960, about so-called informal abstractions, lyrical abstractions or tachismes. These artistic moda…
(Only some records are available in English at this moment)
| 1 / 1 | Ongoing grants |
| 1 / 1 | Completed research grants |
| 3 / 3 | Ongoing scholarships in Brazil |
| 3 / 3 | Completed scholarships in Brazil |
| 4 / 4 | Completed scholarships abroad |
| 12 / 12 | All research grants and scholarships |
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