Bruno Verneck is currently graduating in Letras - Português/Espanhol pela Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo. He was a member of CNPq's research group "Porta Macau: literatures, languages and cultures", investigating the relationship between lyrical and urban experience in Christopher Kelen's poetry. He is currently developing the research project Estado de Agonia: teatro e política em Griselda Gambaro e Jorge Díaz, under the auspices of the Fundação de Amparo à Pesquisa do Estado de São Paulo. He is active in the investigation of the following themes: Latin-American literature, Hispanic-American theater forms and comparative dramaturgy. (Source: Lattes Curriculum)
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The present work seeks to comparatively analyze three Spanish-American plays from the beginning of the 19th century: Camila, o la patriota de Sudamérica de Camilo Henríquez (1817), Tupac Amaru by Luís Ambrósio Morante (1821) and La Pola by José Domínguez Roche (1826). Aiming to comprehend the relations between theater and politics during the Spanish American wars of independence, I start …
The present work aims to analyze comparatively three Hispanic-American plays from the early 19th century: Camila, la patriota de Sudamérica by Camilo Henríquez (1817), Tupac Amaru by Luís Ambrósio Morante (1821), and La Pola by José Domínguez Roche (1826). The project pursue to investigate both aesthetic and ideological connections that the pieces establish when compared to programmatics …
The Argentinean Griselda Gambaro (1928) and the Chilean Jorge Diaz (1930-2007), are on the list of the most celebrated playwrights of the twentieth-century Spanish-American theater. Both began their trajectories in the 1960s, and each in its own way deals with issues related such as violence and contradictions stemming from social inequality in its most perverse aspects. This project inte…
This research project, by characterizing the theatrical repertoires in Buenos Aires between 1783 (the building of the first coliseum) and 1826 (ending point of interest for the main project), seeks to understand the composition of theatrical repertoires in the region, analyzing sources such as: a) theatrical librettos of original and translated works; b) manuscript plays, especially those…
It is common to use avant-garde as a category to think upon the theatre from the second half of the 20th Century. In French drama it became commonsense when referring to the so-called "theatre of the absurd" and in Hispanic American theatrical historiography, the term also spread. The work of important authors from the period, such as the Chilean Jorge Díaz (1930-2007) and the Argentinean…
| 3 / 3 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
| 5 / 5 | All Scholarships |
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