Abstract
This postdoctoral project proposes to investigate points of contact, temporary alliances, divergences, mutual influences and other exchanges in the 1960s and 1970s between brazilian filmmakers (Glauber Rocha, Júlio Bressane, Neville D'Almeida, José Agrippino de Paula and Hélio Oiticica) and underground and independent american filmmakers (especially Jonas Mekas, Andy Warhol, Jack Smith, R…