Abstract
The research proposes to reflect on the place of memory and identity related to work and the worker in the field of cultural heritage in the years 2000. For this purpose, it establishes as object the performance of the organs of patrimony in all its levels, Unesco, Iphan, Condephaat and Conpresp, from the reflection on four case studies: the Vila of Paranapiacaba, the Vila Euclides Stadiu…