Ph.D. at Department of Communications and Arts, University of São Paulo (CCA / ECA / USP). Professor of undergraduate courses in Educommunication and Performing Arts. Professor, researcher and advisor of the Postgraduate Program in Performing Arts, USP. Member of the Culture and Extension Council of ECA/USP. Representative of ECA/USP in the Deliberative Council of the Institute of Brazilian Studies, IEB/USP. Director (2014-2018) and vice-director (2010-2014) of the Theater of the USP, the Pro-Rector's Office of the University of São Paulo. Culture and University Extension, TUSP/PRCEU. General coordinator and curator of the International Theater Biennial of USP (2012-2018). Coordinator of the USP Diversity/Nucleus of Direct Program of PRCEU (2011-2015). Coordinator of the Cultural Cooperation Agreement between USP and the National Autonomous University of Mexico (2012-2015). Holds a master's degree (1998) and a Ph.D (2004) in Sociology (USP). Member of the Queer Futures working group of the International Federation for Theater Research. Develops researches in the areas of History of Performing Arts, Theater Theories, Theater Philosophy, Brazilian Theater, Performance Studies, Queer Theory, Genre; Subjectivities, Cultural Production. (Source: Lattes Curriculum)
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Many histories that arrive on western culture about the Islamic Republic of Iran are about the restraints to the right of information and artistic expression. However, the simple comparison the freedom of expression in western countries and the interdition practices in Iran are not enough for the understanding the complexity of the censorship femonena in this country. The project presente…
This research intends to analyze and redefine the practices of the called theatres of the real, such as they were coined by Maryvonne Saison, in the end of 90's decade. Denying, partly, the common argument that insists on an approach between art and life, in a friction between real and fictional elements, and starting by the questioning of the own idea of real, leaning on concepts and def…
This project seeks to expose the principles of research with analysis and reflection purposes towards the theatrical production and mostly dramaturgical between the years 1889's and 1930's. It has focused on the dramaturgy of writers through aesthetic and formal attempts sought to propose a "renewal" on the theatrical tradition in vogue: the "quick" theater. Articulates It is, in that cas…
The purpose of this research is to analyze recent cases of censorship of the body in contemporary performances in Brazil. To that end, this study seeks resonance from similar performances presented in the framework of the activities of the Hemispheric Institute for Performance and Politics at New York University, especially those presented by Regina José Galindo, Coco Fusko and Ron Athey.…
Grâce à des études précédentes, nous avons constaté que, pendant le début du XXe siècle au Brésil, plusieurs écrivains de théâtre avaient comme modèle de composition la modernisation théâtrale française. Ainsi, cette recherche vise à s'attacher à l'étude et l'analyse des principales dynamiques et processus responsables par la production du modernisme dans le cadre du théâtre français. En …
| 2 / 2 | Completed research grants |
| 3 / 2 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
| 7 / 6 | All research grants and scholarships |
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CV Lattes
ORCID