Abstract
The gaps in the communication processes between Chekhov's dramatic characters consist on a basic and definitive feature of the author's poetics. This project intends to analyse in the four major plays of the Russian author, "The Seagull" (1896), "Uncle Vanya" (1897), "Three Sisters" (1900) and "The Cherry Orchard" (1904), special aspects of these operations. The research will investigate …