Abstract
This project intends to, starting from the analysis of the films "Jogo de Cena" (Eduardo Coutinho, 2007), "Juízo" (Maria Augusta Ramos, 2007), "Serras da Desordem" (Andréa Tonacci, 2008) e "Filmefobia" (Kiko Goifman, 2008), investigate the performance of real people in documentary and in films that are in the borderline between documentary and fiction fields, identifying its various uses…